Role on Production: 
Utilizing Harmony curves and envelope deformers in order to achieve the completion for all my posing, animation and timely swapping out drawing for lip-sync. 
Responsible for my scenes retakes in the posing and animation stage inorder to hit deadlines within production. 
When an harmony animator was needed, I also assisted with animating other animators shots to reach production deadlines.

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Role on Production: 
I constantly manipulated the deformers on the detailed Harmony 360 rigs on Central Park, to achieve a traditional animation look in order to match the hand drawn animation throughout each episode.
Responsible for posing my scenes and transitioning into animation after completing any retakes I received in posing. Also completing my own retakes for animation from client.  
Animating the detailed rigged mouths on puppets to complete lip-sync.
When an harmony animator was needed, I also assisted with retake animation from client and some posing shots for animators (no retake animation shots from other animators not included in demo reel)

Role on Production: 
Utilizing Harmony curves deformers in order to achieve the completion for all my posing, animation and timely swapping out drawing for lip-sync. 
When a scene needed, I also fully rigged puppets with envelop deformers to complete scenes where curve deformers couldn't  
Responsible for my scenes retakes in the posing and animation stage in order to hit deadlines within production. 

Role on Production:
Manipulated the deformers on the Harmony 360 rigs on Moose, in order to complete posing and animation. 
 Also completing my own retakes for posing and animation from client.  
Animating the lip-sync with timely swapping drawings and manipulating rigged jaw.
When an harmony animator was needed, I also assisted with retake animation from client and some posing shots for animators (no retake animation shots from other animators not included in demo reel)
Role on Production:
Manipulated the deformers on the Harmony rigs on Paradise PD, in order to complete posing and animation. 
 Also completing my own retakes for posing and animation from client.  
Utilizing a script for lip-sync and correcting any mistakes that may turn up.
When an harmony animator was needed, I also assisted with completing animation from other animators  (no retake animation shots from other animators not included in demo reel)
Role on Production: 
I constantly manipulated the deformers on the detailed Harmony 360 rigs on Toopy and Binoo the Movie, to achieve a traditional animation look in order to match the workflow of the entire production.
Responsible for posing my scenes and transitioning into animation after completing any retakes I received in posing. Also completing my own retakes for animation from client.  
Animating the detailed rigged mouths on puppets to complete lip-sync.
Helped establish the improvement of the 360 Rigs throughout production and valuable feedback to empower the production moving forward.​​​​​​​ 
Role on Production: 
I constantly manipulated the deformers on the detailed Harmony rigs on Joy Eternal, to achieve animation style close to Rick and Morty, based on the request of the client.
Responsible for posing my scenes and transitioning into animation after completing any retakes I received in posing. Also completing my own retakes for animation from client.  
Animating the detailed rigged mouths on puppets to complete lip-sync.
When an harmony animator was needed, I also assisted with retake animation from client and some posing shots for animators (no retake animation shots from other animators not included in demo reel)
Role on Production: 
Responsible for posing out shots for animators and receiving posing shots to animate for both shows. Utilizing a script for lip-sync and correcting any mistakes that may turn up.
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